º£½ÇÉçÇø

Alumni

Research Associate

Bruno GiordanoBruno L. Giordano, 2004-2011

Currently Research Scientist in the French CNRS, , Marseille, France

Sound source perception, identification and categorization


Project Coordinator, ACTOR Project

Juanita Marchand KnightJuanita Marchand Knight, DMA, 2018-2020

Analysis, Creation and Teaching of Orchestration - ACTOR

Currently PhD student in Psychology at Concordia University.

Ìý

Ìý


Project Manager, Orchestration and Perception Project

Hannah DarrochHannah Darroch, 2017-2018

Currently Principal Flute of the Christchurch Symphony Orchestra.

Ìý

Ìý

Ìý

Meghan Goodchild

, 2013-2017

Currently Research Data Management Librarian, Queen's University, Kingston, ON

PhD in Music Theory.

Ìý

Ìý


Post-doctoral Fellows

Headshot of Andres Gutierrez MartinezAndrés Gutiérrez Martínez, 2022-2025

Professor of Electroacoustic Composition; Gustav Mahler Privatuniversität für Musik in Klagenfurt, Austria

Composition; Sonic analogies and extended techniques

Ìý

Ìý

Ìý

Ìý

Headshot of Ben DuinkerBen Duinker, 2022-2025

International Partnerships and Special Projects - º£½ÇÉçÇø School of Continuing Studies

Music Theory; Hip-hop music

Ìý

Ìý

Ìý

Ìý

Félix Baril

Félix Frédéric Baril, 2020-2023

Director of Research, OrchPlayMusic, Inc.

Composition; Orchestral simulations

Kit SodenKit Soden, 2021-2022

Post-doctoral researcher at the Université de Montréal

Composition; Opera Orchestration

Ìý

Ìý

Lindsey Reymore

Lindsey Reymore, 2020-2022

Associate Professor of Music Theory, Arizona State University

Timbre Semantics; Linguistics; Cross-modal Correspondences

Ìý

Ìý

Ìý

Matthew Zeller

Matthew Zeller, 2020-2022

Curator for Europe at Musical Instrument Museum

Timbre's role in musical logic; Music segmentation

Ìý

Ìý

Marcelo Caetano

Marcelo Caetano, 2020-2022

Marie-Curie global fellow with CNRS-PRISM

Sound morphing; Timbre Perception

Ìý

Ìý

Ìý

Aurelien Antoine

Aurélien Antoine, 2018-2021

Computational Modeling; Auditory Scene Analysis; Orchestral Effects

Ìý

Ìý

Ìý

Julie Delisle

Julie Delisle, 2018-2020

Researcher at Audiokinetic in Montreal

Acoustics and musicology of musical instruments

Ìý

Ìý

Ìý

Jason Noble

Jason Noble, 2018-2020

Post-doctoral researcher at the Université de Montréal.

Composition; orchestration pedagogy; timbral semantics

Ìý

Etienne Thoret

Etienne Thoret‎, 2015-2018

Currently Post-doctoral researcher in France.

Auditory Modeling; Multimodal Perception

Ìý

Ìý

Konstantinos Trochidis

Konstantinos Trochidis, 2011-2012

Currently Senior Data Scientist at Siemens Mindsphere Application Center, Dubai, UAE

Music Emotion Recognition; Psychophysiology of Emotion; Music and Expectancy; Tempo estimation of audio signals

Ìý

Ìý

Hauke EgermannHauke Egermann, 2009-2011

Currently Lecturer at Department of Music, University of York, UK

Music and Emotion; Psychophysiology of Emotion; Social Psychology; Neuronal Basis of Music Perception; Ìý Ìý Ìý ÌýMusic and Media

Georgios Marentakis

Georgios Marentakis, 2006-2008

Currently Associate Professor of Informatics, Østfold University College, Norway

Gestural control of spatialization; Psychoacoustics of sound localization in virtual spatial audio systems


Graduate Students

PhD

Erica Huynh

Erica Ying Huynh, PhD, 2017-2023

PhD at º£½ÇÉçÇø in Interdisciplinary Music Studies.

Dissertation: "Categorization, Differentiation, and Learning of Atypically Combined Mechanical Components of Musical Instruments," º£½ÇÉçÇø, 2023.

Ìý

Behrad MadahiBehrad Madahi, 2017-

Ìý

Ìý

Ìý

Ìý

Iza Korsmit

Iza Ray Korsmit, PhD, 2018-2023

PhD at º£½ÇÉçÇø in Interdisciplinary Music Studies.

Dissertation: "An investigation of affective timbres: Considering affect locus, experimental context, and individual differences," º£½ÇÉçÇø, 2023.

Ìý

Lena Heng

Lena Heng, PhD, 2018-2023

PhD at º£½ÇÉçÇø in Interdisciplinary Music Studies.

Dissertation: "Perception of affective intentions in music: Timbre cues and differences in musical cultures," º£½ÇÉçÇø, 2023.

Ìý

Kit Soden

Kit Soden, PhD, 2014-2020

PhD at º£½ÇÉçÇø in Interdisciplinary Music Studies.

Dissertation: "Orchestrational combinations and transformations in operatic and symphonic music," º£½ÇÉçÇø, 2020.

Ìý

Eddy Kazazis

Eddy Kazazis, PhD, 2014-2020

PhD at º£½ÇÉçÇø in Music Technology.

Dissertation: "Psychophyiscal scaling of timbre-related audio descriptors," º£½ÇÉçÇø, 2020.

Ìý

Ìý

Moe Touizrar

Moe Touizrar, PhD, 2014-2019

PhD at º£½ÇÉçÇø in Music Composition.

Dissertation: "From ekphrasis to apperception: The sunlight topic in orchestral music.", º£½ÇÉçÇø, 2019.

Ìý

Tanor Bonin

Tanor Bonin, PhD, 2016-2019

PhD at º£½ÇÉçÇø in Music Technology.

Dissertation: "On the perception of musical form and the shouga of traditional Japanese music.", º£½ÇÉçÇø, 2019.

Ìý

Jason Noble

Jason Noble, PhD, 2013-2018

PhD at º£½ÇÉçÇø in Music Composition.

Dissertation: "Perceptual and semantic dimensions of sound mass.", º£½ÇÉçÇø, 2018.

Ìý

Ìý

Meghan Goodchild

, PhD, 2009-2017

Currently Research Data Management Librarian, Queen's University, Kingston, ON

PhD at º£½ÇÉçÇø in Music Theory.
Dissertation: "Orchestral gestures: Music-theoretical perspectives and emotional responses.", º£½ÇÉçÇø, 2016.

Ìý

Cecilia Taher

Cecilia Taher, PhD, 2012-2016

PhD at º£½ÇÉçÇø in Music Theory. Ceci is currently the flute and recorder teacher at the Suzuki Charter School in Edmonton, AB.

Dissertation: "Motivic similarity and form in Boulez's ´¡²Ô³Ù³óè³¾±ð²õ", º£½ÇÉçÇø, 2016.

Ìý

Kai Siedenburg

Kai Siedenburg, PhD, 2012-2016

PhD at º£½ÇÉçÇø in Music Technology. Kai is currently a Postdoctoral Fellow (Signal Processing Group) in the Department of Medical Physics and Acoustics at the University of Oldenburg, Germany.Ìý

Dissertation: "Perspectives on memory for musical timbre", º£½ÇÉçÇø, 2016.

David Sears

David Sears, PhD, 2009-2016

PhD at º£½ÇÉçÇø in Music Theory. David is currently a Post-doctoral Researcher in the Department of Computational Perception at Johannes Kepler University, Linz, Austria.

Dissertation: "The classical cadence as a closing schema: Learning, memory & perception", º£½ÇÉçÇø, 2016.

Sven-Amin Lembke

Sven-Amin Lembke, PhD, 2009-2014

Personal Homepage

PhD at º£½ÇÉçÇø in Music Technology. Sven is currently a lecturer at De Montfort University - Leicester, UK.

Dissertation: "When timbre blends musically: Perception and acoustics underlying orchestration and performance", º£½ÇÉçÇø, 2014.

Song Hui

Song Hui Chon, PhD, 2008-2013

PhD at º£½ÇÉçÇø in Music Technology. Song Hui is currently a visiting professor at the Electrical, Computer, and Telecommunications Department at Rochester Institute of Technology.

Dissertation: "Timbre saliency, the attention-capturing quality of timbre", º£½ÇÉçÇø, 2013.

Ìý

Michel Vallières

Michel Vallières, PhD, 2007-2011

PhD at º£½ÇÉçÇø in Music Theory. Michel is currently a speech therapist for the Yukon Territory in Whitehorse, YK.

Dissertation: "Beginnings, middles, and ends: Perception of intrinsic formal functionality in the piano sonatas of W. A. Mozart", º£½ÇÉçÇø, 2011.

Adrien Daniel

Adrien Daniel, PhD, 2008-2011

PhD at Université Pierre et Marie Curie (Paris VI) in Brain, Cognition and Behavior. Adrien currently works for NXP Software.

Dissertation: "Spatial auditory blurring and applications to multichannel audio coding", UPMC, 2011.

Ìý

Susan Rogers

Susan Rogers, PhD, 2007-2010

Currently Associate Professor, Berklee College of Music, Boston, MA.

PhD at º£½ÇÉçÇø in Experimental Psychology

Dissertation: "The influence of sensory and cognitive consonance/dissonance on musical signal processing", º£½ÇÉçÇø, 2010.

Nils Peters

Nils Peters, PhD, 2006-2010

PhD at º£½ÇÉçÇø in Music Technology. Nils is currently a research scientist with QualComm in San Diego, CA.

Dissertation: "Sweet [re]production: Developing sound spatialization tools for musical applications with emphasis on sweet spot and off-center perception", º£½ÇÉçÇø, 2010.

Bruno Gingras

Bruno Gingras, PhD, 2005-2008

Currently University Assistant, Department of Psychology, Universität Innsbruck, Austria

PhD at º£½ÇÉçÇø in Music Theory

Dissertation: "Expressive strategies and performer-listener communication in organ performance", º£½ÇÉçÇø, 2008.

Ìý


MA

Corinne Darche

Corinne Darche, MA, 2021-2023

MA at º£½ÇÉçÇø in Music Technology.

Thesis: "Analysis of timbral augmentation in the Orchestration Analysis & Research Database (OrchARD)", º£½ÇÉçÇø, 2023.

Ìý

Yifan Huang

Yifan Huang, MA, 2021-2023

MA at º£½ÇÉçÇø in Music Technology.

Thesis: "Affective qualities of sustained instrumental blends", º£½ÇÉçÇø, 2023.

Ìý

Ìý

Ìý

Linglan Zhu

Linglan Zhu, MA, 2020-2022

MA at º£½ÇÉçÇø in Music Technology.

Thesis: "Comparison of perceived and imagined instrumental blend", º£½ÇÉçÇø, 2022.

Ìý

Ìý

Ìý

Max Henry

Max Henry, MA, 2019-2021

MA at º£½ÇÉçÇø in Music Technology.

Thesis: "A perceptual study of amplitude modulation vibrato", º£½ÇÉçÇø, 2021.

Ìý

Ìý

Julian Vanasse

Julian Vanasse, MA, 2019-2020

MA at º£½ÇÉçÇø in Music Technology.

Ìý

Ìý

Erica Huynh

Erica Huynh, MA, 2017-2019

MA at º£½ÇÉçÇø in Music Technology.

Thesis: "Bowed plates and blown strings: Odd combinations of excitation methods and resonance structures impact perception", º£½ÇÉçÇø, 2019.

Ìý

Rachel Hottle

Rachel Hottle, MA, 2018-2019

Currently pursuing an MA in Music Theory at º£½ÇÉçÇø under the supervision of Robert Hasegawa.

Ìý

Ìý

Ìý

Lena Heng

Lena Heng, MA, 2016-2018

MA at º£½ÇÉçÇø in Musicology.

Thesis: "Timbre in the communication of emotion among performers and listeners from Western art music and Chinese music traditions", º£½ÇÉçÇø, 2018.

Ìý

Rachel Kim

Rachel Kim, MA, 2015-2017

MA at º£½ÇÉçÇø in Music Technology.

Thesis. "The effects of timbre on harmonic interval tuning and perception", º£½ÇÉçÇø, 2017.

Ìý

Ìý

Ian Lou

Ian Lou, MA, 2015-2017

MA at º£½ÇÉçÇø in Music Technology.

Thesis: "Timbre memory, familiarity and dissimilarity", º£½ÇÉçÇø, 2017.

Ìý

Ìý

Sarah Gates

Sarah Gates, MA, 2014-2015

MA at º£½ÇÉçÇø in Music Theory. Sarah is pursuing a PhD degree in Music Theory at Northwestern University.

Thesis: "Perceptual interactions of pitch and timbre: An experimental study on pitch-interval recognition with analytical applications", º£½ÇÉçÇø, 2015.

Ìý

Christopher Wood

Christopher Wood, MA, 2014-2015

MA at º£½ÇÉçÇø in Music Technology.

Thesis: "Perception of timbre intervals", º£½ÇÉçÇø, 2015.

Ìý

Chelsea Douglas

Chelsea Douglas, MA, 2012-2014

MA at º£½ÇÉçÇø in Music Technology.

Thesis: "Perceived affect of musical instrument sounds", º£½ÇÉçÇø, 2015.

Ìý

Yinan Tsao

Yinan Tsao (Cao), MA, 2011-2014

MA at º£½ÇÉçÇø in Music Technology. Yinan is pursuing a PhD degree in Experimental Psychology at Oxford University.

Thesis: "The dominance of haptics over audition in stabilizing wrist kinematics during striking movements", º£½ÇÉçÇø, 2015.

Ìý

Finn Upham

Finn Upham, MA, 2010-2011

MA at º£½ÇÉçÇø in Music Technology. Finn Upham obtained a PhD degree in Music Technology at NYU in 2018.

Thesis: "Quantifying Audience Responses to Music: methods for analyzing collections of emotional experience time series", º£½ÇÉçÇø, 2011.


Visiting Graduate Research Trainees

Amit Gur

Amit Gur, 2020-2021

visiting graduate research trainee

PhD, University of Antwerp, Belgium

Ìý

Ìý

Rasmus Høll Nielsen

Rasmus Høll Nielsen, 2014

visiting graduate research trainee

PhD, Aarhus University, Denmark

Ìý

Ìý

Eddy Kazazis

Eddy Kazazis, 2013

visiting graduate research trainee

MA, The Institute of Sonology, The Netherlands

Ìý

Ìý

Ìý

Philippe Esling

Philippe Esling, 2012

visiting graduate research trainee

PhD, Université Pierre et Marie Curie (Paris VI), France

Ìý

Ìý

Ìý

Indiana Wollman

Indiana Wollman, 2011

visiting graduate research trainee

PhD, Université Pierre et Marie Curie (Paris VI), France

Ìý

Ìý


Undergraduate Students

Skyler Aria outside, in front of a mountain

Skyler Aria, 2024-2025

Undergraduate student in Psychology.

Ìý

Bryana Liberta

Bryana-Alexa Liberta, 2022-2023

Undergraduate student in Psychology.

Ìý

Ìý

Ìý

Ìý

Claire Wei

Zijiao Claire Wei, 2021-2022

Undergraduate student in Psychology.

Ìý

Ìý

Alix Wong

Alix Yok Tin Wong-Min, 2021-2022

Undergraduate student in Psychology.

Ìý

Ìý

Ìý

Emmanuelle Beauvais-Lacasse

Emmanuelle Beauvais-Lacasse, 2020-2021

Undergraduate student in Cognitive Science and Linguistics.

Ìý

Michelle Nadon Belanger

Michelle Nadon Bélanger, 05/2020-09/2020

Undergraduate student in Jazz and Anthropology.

Ìý

Ìý

Ìý

Navin Kumar

Navin Kumar, 05/2020-09/2020

Undergraduate student in Computer Science.

Ìý

Ìý

Ìý

Ìý

Bea Lopez

Beatrice Lopez, 06/2018-12/2019

Undergraduate student in Computer Science.

Ìý

Ìý

Ìý

Manda Fischer

Manda Fischer, 2016-2018

Undergraduate honours student in Psychology.

Manda is pursuing a PhD degree in Psychology at the University of Toronto.

Ìý

Ìý

Ìý

Alistair Russell

Alistair Russell, 2016-2017

Full-stack Software Developer for the Orchestration and Perception Project.

Ìý

Ìý

Ìý

Henri Rabalais

Henri Rabalais, 2015 & 2017

Undergraduate student in Cognitive Sciences, summer undergrad Research Assistant.

I completed my B.A.&Sc. in Cognitive Science with concentrations in Psychology and Neuroscience at º£½ÇÉçÇø in 2015. I recently returned to my alma mater to begin a Master’s Thesis in Music Technology. Presently, I am in the process of concluding a research project with Stephen McAdams concerning the effect of room acoustics on timbral blend.

Ìý

Grace Wang

Grace Wang, 2015-2016

Undergraduate honours student in Cognitive Sciences
Program in Cognitive Sciences, º£½ÇÉçÇø

Grace is continuing her BSc/BA studies at º£½ÇÉçÇø.

Ìý

Sophia Metcalf

Sophia Metcalf, 2015-2016

Undergraduate student in Psychology and Music.

I worked with Stephen McAdams building a database of articles about timbre from journals outside Music Psychology (Ethnomusicology, Musicology, Music Theory, Popular Music).

Ìý

Ìý

Ìý

Jordana Saks

Jordana Saks, 2015-2016

Undergraduate student in Cognitive Sciences.

I worked with Stephen McAdams on timbre and emotions.

Ìý

Ayla Tse

Ayla Tse, 2015

Undergraduate student in Psychology, NSERC Undergraduate Research Awardee.

I worked on the role of information accumulation in learning to identify musical instruments.

Ìý

Ìý

Charlene Zhang

Charlene Zhang, 2015

Undergraduate student in Psychology, NSERC Undergraduate Research Awardee in the Auditory Cognitive Neuroscience program.

I worked on timbre salience in auditory stream segregation.

Ìý

Jack Tokarz

Jack Tokarz, 2014-2015

Undergraduate student in Psychology, summer undergrad Research Assistant.

I worked with Stephen McAdams on the effect of timbral salience on the auditory pop-out effect and with Yinan Cao on the learning of sensory correlations in timbre

Ìý

Tudor Vrinceanu

Tudor Vrinceanu, 2014

Undergraduate student in Psychology.

I worked with Stephen McAdams on the orchestration and perception project and on timbre perception.

Ìý

Ìý

Shinkhala Dawadi

Shrinkhala Dawadi, 2014

Undergraduate student in Cognitive Sciences.

I worked with Kai Siedenburg on effects of short-term memory for timbre.

Ìý

Ìý

Jacob Spitzer

Jacob Spitzer, 2013-2014

Undergraduate honours student student in Psychology and Computer Science. I worked with David Sears studying the perception of closure in music as it relates to listener expectations. I wish I could play drums.

Ìý

Ìý

Kiray Jones-Mollerup

Kiray Jones-Mollerup, 2013-2014

Undergraduate student in Psychology
Department of Psychology, º£½ÇÉçÇø
I worked with Kai Siedenburg to study the perception of transformed and natural instrument timbres.

Ìý

Dominique Beauregard Cazabon

Dominique Beauregard Cazabon, 2013-2014

Undergraduate student in Neuroscience
º£½ÇÉçÇø

I worked with Meghan Goodchild; we looked at the effect of timbre on the psychophysiological responses of orchestral music listeners.

Dominique is now a graduate student at McMaster University, Department of Psychology, Neuroscience & Behaviour.

Jocelyn Micallef

Jocelyn Micallef, 2013-2014

Undergraduate honours student in Cognitive Sciences
Program in Cognitive Sciences, º£½ÇÉçÇø

I worked with Prof. Stephen McAdams. Our project involved the study of the auditory associative learning between Indian spoken syllables and strokes on the Indian tabla.

Beatrice Copps

Béatrice Copps, 2012-2013

Undergraduate honours student in Psychology
Department of Psychology, º£½ÇÉçÇø

Béatrice is now a medical student at º£½ÇÉçÇø.

Ìý

Emily Wilson

Emily Wilson, 2012-2013

Auditory entrainment

Undergraduate student in Cognitive Sciences
Program in Cognitive Sciences, º£½ÇÉçÇø

Ìý

Jamie Webber

Jamie Webber, 2012-2013

Psychological foundations of orchestration

Undergraduate student in Neuroscience and Composition
º£½ÇÉçÇø

Ìý

Kyra Parker

Kyra Parker, 2012-2013

Timbre blending

Undergraduate student in Cognitive Sciences
Program in Cognitive Sciences, º£½ÇÉçÇø

Ìý

Lorraine Chuen

Lorraine Chuen, 2011-2013

Music and emotion/cultural aspects

Undergraduate honours student in Psychology
Department of Psychology, º£½ÇÉçÇø

Lorraine is now a graduate student at McMaster University, Department of Psychology, Neuroscience & Behaviour.

Graduate Research Assistant, 2/2008 — 7/2008
Measuring emotional response to music
Ìý

Kevin Schwartzbach

Undergraduate honours student in Psychology, º£½ÇÉçÇø
Timbre saliency
Ìý

Tamara Lagrandeur-Ponce

Undergraduate Researcher
Perception of performer similarity
Ìý

Max Hartshorn

Undergraduate Research Assistant, 5/2007 — 7/2007
Auditory spatial resolution in auditory virtual environments
Ìý

Gabe Nespoli

Undergraduate Researcher, 9/2006 — 4/2007
Physiological correlates of musical emotion
Ìý

Rachel Busby

Undergraduate Research Assistant, 6/2007 — 9/2007
Measuring emotional response to music
Ìý

Undergraduate Researcher, 9/2006 — 4/2007
Acoustic and semantic categorization of sound sources
Ìý

Corey Kereliuk

Graduate Research Assistant, 5/2007 — 8/2007
Acoustical correlates of timbre space
Ìý

Graduate Research Assistant, 1/2006 — 4/2006
Music perception and cognition
Ìý

Daphne Tan

Graduate Researcher 1/2006 — 4/2006,
Graduate Research Assistant 9/2006 — 7/2007
Perception of formal functions in music
Ìý

Nick Shortway

Master's student, 9/2005 — 2/2007
A methodological study of the recording and evaluation of emotional response to music
Ìý

Caitlin Martinkus

M.A at º£½ÇÉçÇø in Music Theory
Ìý

Indiana Wollman

Visiting doctoral research trainee
Université Pierre et Marie Curie, Paris VI
Ìý

Mikaela Miller

Master's Student in Music Theory, º£½ÇÉçÇø
Ìý

Dieu-Ly Tran

Undergraduate Researcher
Ìý

Myles Gaulin

Undergraduate Researcher
Ìý

Jonathan Crellin

Undergraduate Researcher
Ìý

Sabrina Lytton

Undergraduate Researcher
Memory for consonance and dissonance
Ìý

Jake Shenker

Undergraduate Researcher
Perception of formal functions in music
Ìý

Previous Visiting Scholars:

Ìý

Jina Xin Wang

Communication University of China
CIRMMT Visiting Scholar, 9/2018-7/2019
Information Engineering and Audio Technology
Ìý

Michigan State University
CIRMMT Visiting Scholar, 9/2015-5/2016
Cognitive music theory
Ìý

Joseph Plazak

Illinois Wesleyan University
CIRMMT Visiting Scholar, 5/2014-12/2014
Perception of auditory size
Ìý

Fred Rees

IUPUI
CIRMMT Visiting Scholar, 11/2012-12/2012
Music technology
Ìý

University of Hartford
CIRMMT Visiting Scholar, 9/2012 — 12/2012
Cognitive music theory
Ìý

Lawrence Zbikowski

University of Chicago
Fulbright Visiting Research Chair, 1/2011-4/2011
Cogntive music theory
Ìý

Richard Pastore

SUNY Binghamton
CIRMMT Visiting Scholar, 4/2008
Auditory psychophysics
Ìý

Edward Large

Florida Atlantic University
Fulbright Visiting Professor, 9/2006 — 4/2007
Auditory modelingÌý
Ìý
Back to top